Red hair tickles my sight first; you smile
at me and I can’t help imagining
a future. Leaning against the sink, dial
up the charm. We get coffee, you’re toying
with your chunky jewelry. Our first kiss
(my first, period) is on my sofa.
We’re watching Star Trek, and I don’t miss
how you say I’m grumpy McCoy. Boba
tea trips and we hear whispers of how you
are older than me. Shame is washed away
with fondness and Queen lyrics. And you do
not mind how ugly my laughter is. “Say,
would you like to—” Request silenced.
I watch you go. Was nice while it lasted.



There they are again: the same feet— black patent flats with a decorative silver buckle on top— presumably attached to the same legs, attached to the same woman who is always in the bathroom stall that my body naturally directs me towards. The second stall is always anybody’s first choice. Nobody wants to go in the first because it’s usually the gross one, and anything beyond stall two is a gamble when it comes to cleanliness and supply of toilet tissue. All women know these things. It’s a given.

Still, this set of feet is always in the second stall. I’ve worked here for over two months and I’ve never been in this restroom when those feet weren’t there. I’ve even mixed it up and decided to go at random times, even if I didn’t actually need to, just to find out if the feet were there. I did this for weeks and it was like somehow she knew.

She’s just there.

It started to get on my nerves around the first of the month. I decided I’d get in a few extra steps and take the stairs and use a restroom on a different floor. There was a strange sense of satisfaction that came with walking in and going right to that second stall, blissfully unoccupied. That’s never the case on the floor where I work. It’s like having to take a detour you didn’t expect, or like trying to drink from a straw before you remember that you don’t have one—there are just some actions that are pure muscle memory.

For me, that’s walking to stall two.

Seeing them there now makes my ears burn. Why can’t she hide from her boss in the last stall like a normal person? I decide I can’t ignore it anymore. I can’t act like she’s not there and keep walking to a sub-par toilet and hope that there’s a functioning lock and no wide gap in the door.

I pretend that I didn’t realize the stall was taken and walk straight over and rattle the door. “Oh, sorry,” I mumble.

There’s no response. Like every other time before, no sound. Not a single drip or a rustle of tissue. No shifting of the feet, no repositioning of clothes, nothing.

It makes me even more furious. “Hellooo?” I say with annoyance crackling in my voice. “You know, you don’t have to be rude.”


I stand there for what feels like forever and notice every muscle in my body start to tense. Like an out of body experience, I watch myself pound on the door with the heel of my hand. “Hey! You know other people would like to use this stall, too. Take a nap in your car or something,” I shout. The indignant response I expect never comes.

I bang on the door again and feel the latch rattle. I don’t stop, I don’t get quiet, I just keep beating the textured plastic until something shakes loose.

I pull back as the door slowly moves inward, my hand frozen in mid-air.

The realization hits me that I’ve probably just scared some poor woman half to death, and now I’m busting in on her as she’s trying to hide out in a bathroom stall. What the hell am I doing?

I watch the door as it swings with painful slowness towards the toilet. A sheet of tissue hangs from the bottom of the dispenser. A layer of dust clouds the top of the purse shelf. The door continues to move until I can see the water in the bowl.

The stall is empty.

The shoes are gone. No legs. No woman. All that’s there are the faded outlines of two footprints made by a pair of patent flats.



Poetry stopped calling
my name or maybe I stopped
listening because I grew to distrust
my voice, twangy, small, full of questions.
No profundities or music, words
flattened by the stomp of work
boots. Images without beating
hearts, wingless. Images afraid
truth would hemorrhage the dead,
the left behind, the bodies
forgotten like lonely mountains
shouting my name on a wind gust,
a wound, so far away that distance
turned scars to whispers, wisps
of memory like ghosts passing
through my skin in a city I can’t
claim because the hold of dirt,
of tree, of chicory, of winding
roads pulls me back like muddy
faces and ashes scattered on the ground.



You’re curled up on your faded ivory couch, the cushions’ permanent concavity are cupped  like oyster shells.  You’re swaddled in comfort clothing, the periwinkle jammies with frayed holes in the thighs.  You’re ignoring the rom-com on the screen, reading “The Lovesong of J. Alfred Prufock.”  He’s bemoaning the reality that the women ignore his fashionable clothing and focus on his thinning hair when the notification swims up your phone.

Hey babe cant w8 2 c u

Your hand levers backwards as you sigh.

You hate “babe.”

But you like him.  He’s nice.  Not amazing.  But you’re willing to give him a chance.  Besides, it’s not like you have tons of opportunities, and he wants you.

You wish your feelings were stronger, less cautious, but you’ve experienced enough of the love mythology.  Yet you still fall for the traps.  As far as you know, though, Cupid’s arrows are stashed in your closet.

So you overlook babe.  After all, he saw past your imperfections and chose you.

Your cell phone drops into your lap.

Tonight is the third date, and you feel the pressure.

He’ll pay for dinner.

You’ll pay for the courtesy.

He’ll pick a restaurant but you want the nightcap to stay at the bar and not your bed.  You want intimacy but don’t equate that with sex.  You like the sweet way he cups your face, kisses you, backs away, looks at you with a coy, cocky smile.  Plus, he’s always telling you how sexy you are.  You spool those words around your loneliness to buttress yourself against the long quiet, periods between admiring attention.

Prufrock and his loneliness will have to wait for your empathy.  You haul yourself from your warm, sagging place to take a shower.  It’s been a long day.  You look forward to hearing his stories, even if they revolve around escapades with friends you haven’t met and sports teams you don’t follow.  You hope he’ll listen to your stories.  The needled hurt pricks again from when he’d cut you off on the last date.  You were describing the woman with alzheimer’s and how she awakened at your delivery of sixty roses.  You wanted him to take the hint.  Instead, you took the hint that he wasn’t interested.

Your bathroom is a DIY catastrophe.  Between the pink and white striated clam shells glued to gold-crackled frames and the sand yellow and tropical blue towels, you hoped to evoke a tropical paradise.  You created a ticky-tacky grotto.  And you swear the mermaids on the shower curtains are laughing at you.

You want to fill the tub, lower your aching body into the deep, let your muscles uncoil as the water saturates your hair, leaks into your ears, cups your neck.  You want him to bring you a cold cider while you recline in the hot water.   Let you soak in water and not expectations.

But you’ll take a shower.   Clean out the roses’ nicks and pricks that must be the god’s punishment for romance.  Scrub the long green stains tatted around your fingers.

You switch on the water, twist the tap to the highest registry in red.

You wait.

This is your life.  Waiting.

For the acceptance you seek and try to catch, like milkweed seeds pelting on the wind.  They slip through your fingers, constellate in the air, tumble to the sky.

When the steam collects behind the curtain and the mermaids look like they are wearing a second skin, you drift under the water, gasp at the sudden pain of the intense, hot water, and dial the knob back.

Some like it hot.  You prefer it not too hot.

You squeeze the trigger and the pink slush coils into your hand, reeking of chemical wildflowers.  The edges blister and you massage the bubbling mass across your legs and up your thighs.

You draw up the razor over your knee and flinch when the blades gouge out a chink of skin.  The blood wells, like an eye opening, and seeps down your leg to be swallowed by the drain’s wide mouth.  

You hate how if you aren’t careful, the blood will stain the white carpet the landlord thought was appropriate to lay in your shoddy one room apartment.

You have a personal war with your entire body.  So much of it you’d like to dismantle, return to the original manufacturer.  On close inspection, no one could think you’re sexy, not with the long black hairs on your inner thighs.   The constellation of whiskers under your chin.  “Beauty is only skin deep” people say, but your skin is pock marked with pimples, ingrown hairs, moles, slightly bulging veins, and freckles that you didn’t think were blemishes.

You have a love-hate relationship with your body.  You love to hate it.  You love your wrists.  Your eyes.  Sometimes your hair. The rest can be chucked.

As a girl, you learned that skirts and dresses were dangerous, especially on Friday-Flip-Up-Day which wasn’t always Friday.  The first time you wore a skirt, the girls clustered in a tidy herd with you in the middle until the predating boys burst through the girl-ball, flushing out the quarry.  On that Tuesday, the boys chased you, their hands reaching for the knee-length hemlines, their fingers snapping with urgency.  You squealed, your voice high-pitched with what sounded like laughter, acceptance, excitement.

You kept them at bay until fatigue loosened your joints.  You sought the chatting teachers clustered in a corner, and the boys drifted back, thwarted, waiting for you to leave base.

You hopped around the group of women, wanting to interrupt but knowing that was impolite and would result in a scolding.  You rocked from side to side until your teacher peeled away.  And you realized you had nothing to say.

Nothing had happened.

You hadn’t been touched.

But the boys drifted in and out from behind the playground equipment, waiting, with gap-toothed smirks.

You tried to explain so that the teacher would understand without humiliating you.  The boys were chasing you.  Truth.  You didn’t like it.  Truth.  You didn’t tell her why.  The reasons made you sound dirty.  Truth.

“Just tell them no.  Stand up to them.  They’ll listen,” she said.

Adults don’t lie.  Teachers know everything.

You left the bubble.  The hunters broke through the camouflage and you surrendered to the instinct to run while the girls watched.

When your legs were wobbly with exhaustion, you acted on your teacher’s recommendation.  You stopped.

You swung around, threw up your hand.

“No!  Just leave me alone.”

The boys hadn’t listened to the teacher, though.  Your skirt was lifted up and over your waist; your equator and southern hemisphere exposed like a globe bisected to display its innards.

When the teachers responded to your shrieks, the boys scattered and the girls shivered in their blind silence.  You were asked the stupid question of why you didn’t just play on the swings or the slide.  You were told that you should have never run, that running just encourages them.

But the playground equipment was an avenue for exploratory observation.  Playing on the swings while wearing skirts invited boys to climb the jungle-gym and perch on the top, waiting for the moment when the skirt ballooned open.   The boys waited at the bottom of the slide, looking up, salivating for drifting hems, the inevitable gapping of the legs which opened the treasure chest of secret panty sightings.

Even though they made you feel frumpy, you wore shorts under skirts.   You couldn’t communicate what it meant to be exposed.   Besides, it was your fault for choosing to wear a skirt.

Beginning in girlhood, you devoured animated movies starring princesses and ballerinas who were taught that the alchemy for success was to love themselves.  The power of self-belief transformed kingdoms, defeated the malevolent, and inspired forever romantic relationships.

You tried to accept this fortune-cookie truth.

“Just be yourself.”

You thought you were yourself.  Who else would you be and how could you not know who you were?  You were a future woman who understood nothing related to femininity.  The concept of cosmetics and submission were terms you couldn’t insert into your vocabulary.

You wanted freedom.

You wanted to wear jeans and t-shirts and ride your bike past sunset.  You loved singing and dancing and playing with Barbies.  You also loved using tools to build clunky birdhouses.  You knew you were plain looking and wanted to feel pretty.  You were curious about make-up but intimidated by the colors and the applicators that looked mildly tortuous.

Who you were supposed to be and who you wanted to be and how you were supposed to be were at such conflicting angles on this prism that the refracted light broke into muddy spectrums, yielding no beauty.

In middle school, your pancake-flat breasts inflated into gelatinous blobs.  You learned that cup size was proportionate to your IQ.  The bigger the boobs, the smaller the brain.

Boobs.  Middle school is when you grew boobs.  Not breasts.











You don’t understand why we had such awkward words for basic biology.  You grew these things because you have two X chromosomes, not because you wanted them or wished for them.   You learned to talk about your body in hushed, ashamed whispers.  If adults couldn’t say the word “breast,” then clearly something was wrong with your body.

Just be yourself.

As your breasts grew, you grew to hate them.  They made you look fat.  They made you look fertile.  You learned to roll your body into a scroll to tuck away the jiggling, wiggling body parts that were suddenly salacious.  You bagged your body in swampy sweatshirts that stank of body odor and comfort.

Friday-Flip-Up-Day was replaced by bra snapping.  Between classes, you were at the water fountain when the fingers dug into your vertebrae.  They pinched the strap.  Pulled backwards.  Released.

The sting welted up your back and down your arms.  Your temper snapped and you swung around on the smarmy boy leaning against the wall, his arrogance nauseating.

Instinct drew your arm back, curled your hand into a fist, launched your knuckles forward.  You punched him in the soft point where the shoulder melts into the chest.  He was bony, almost fragile, and his taunting pride evaporated.  You weren’t supposed to hit back; that wasn’t part of his well-rehearsed game.

Your name echoed off the walls.  A teacher strode toward you, her face angry and purposeful.

“Apologize.  Right now,” she demanded.

“But…but he started it,” you said.  You couldn’t give voice to his touching your bra.  Touching your underwear was just as dirty as touching your privates.

“And I’m ending it,” the teacher said.  “Young ladies don’t hit.”

You muttered an apology, slunk away.  Later, he sneered at you about being “on the rag.”

To be yourself is a Hamlet quandary.  You aren’t entirely certain what it means to be yourself, to love yourself.  You leave the bathroom and the mermaids.  In your bedroom, you begin the beautification process.  Sit on your bed, let the towel eddy from your body.  Slather your skin with the heavy, lavender scented lotion. Starting at your ankles, your hands run in circles, lapping and overlapping the gaping pores, the years of erosive wear.

Your skin tightens, the cottage cheese curds shrink.  A warm vibrancy replaces the coldness within the extremities.

You don’t know yourself, but you know how to create yourself.

In high school, you entered a slaughterhouse of reduction and reproduction.  You studied relationships and love through television, movies, and books.  You gawked at the couples making out in the halls, coveting the hands-on romantic gestures and attitudes.  Alone, you belted out love songs, for once being an object of desire, even if it was imaginary and one-sided.  Anything to fill the void.  You were too old to pretend, but you did.  At school, you were invisible.  In your mind, you were a lean princess, a thriving heroine, a girl loved by all, especially the handsome boy from English class.

You found Adonis; he read Hamlet to your Ophelia.  He stared in the distance as he contemplated his life and thought about death.  You followed the teacher’s direction to enter and he turned around.

He walked to you, his hand outstretched, and, without looking at the textbook, said “Nymph, in thy orisons, be all my sins remembered.”

A fragment of your heart shifted, and the loneliness thawed.  He smiled at you, not beyond you at the guffawing classmates.  And your eyelashes fluttered down, demure, feminine.   You stumbled over the lines, your face burning with embarrassment…with something like love.

You walked with him to his next class, clasping your books to your chest like the girls did on TV.  You absorbed his words, encouraged him to tell stories.  Ignored the fact that he didn’t reciprocate.  You had time.  You had love.

For the next three weeks, you pursued him.  Walked him to his classes, memorized the tones of his voice, the way he hunched over his desk.  You noticed him looking at the svelte girl who sat one row from him.  She was more beautiful, but you had dibs.  You had fallen for him first.

You wrote poetry about him.  When you sang your love songs, you imagined his face, the cherished eyes brightening when he realized how authentic your emotions were.  You imagined him holding your hand, pressing his lips to yours.  You were ready for that moment.  You were ready to be his.

You were not ready to find out that he called you a dog because you followed him like a lost puppy.

Your skin fragrant, the bulging flabbiness lifted, shrunk, defined, you move to the dressing table, sit before the triptych images of yourself.  Within the western mirror, the plain woman looks askance, stares at the toner soaked cotton ball sweeping across the arch of the cheekbones.  The woman in the center pane looks at the nothing before her, within her.  She empties herself and prepares for the night’s communion.  The girl in the eastern mirror teases at her youth, at the vibrancy sweeping her face.

You’re settling.  The poetry still calls to you from its dismissed place on the coffee table.  You could just text him, tell him you’re not feeling well.

Instead, you squeeze out tidy drops of twenty dollar spot cream, dab at the zodiac of imperfections on your skin.  Leaning forward, you inspect would-be blemishes, tiny volcanoes and mountain ranges whose tectonic plates surrender to the chemistry set inhabiting each bottle, tube, and color palette arranged like tarot cards on the vanity’s tabletop.

Despite your flabby body and awkward personality, you were eventually found.  He wanted you and you wanted romance.  He took you to the hill by the playground, wrapped his arm around you.

Held you.

With your head nestled in his shoulder, you felt what might be love.  You heard his heart beating and thought that it was for you.  Laying in the sunlight, the clouds undulating across the horizon, you were brilliant with anticipation.

He rolled you to your back and kissed you. You were hoping for this but weren’t expecting it so you didn’t pucker.  His moist lips grazed over yours and that was it.  Your first kiss.  Not disappointing.  Not enthralling.  But it was your first kiss and he was pretty good looking against your not good lookingness.  You wanted this.  You wanted him….

…to kiss you.

You thought you were being yourself and that someone liked you for it.  He didn’t expect you to wear make-up and revealing clothing.

Then he got past the kissing, wanted to take it to the next step.

It was Friday-Flip-Up-Day again.   Even though you only wore pants.

He wanted to hold you.  Or parts of you.  Like the left gelatinous blob.

You grabbed his hand when you realized where it was.  He kissed you harder, slid his tongue into the edge of your mouth, against your teeth.

Kissing felt good.  Kissing distracted you from how he tried to find your zipper, unclasp your buttons.

You were clear with your no’s.  Movies and TV shows proved that a girl’s first time was supposed to be special: candlelight and roses and chocolate and the lovesongs you sang to yourself.  They also showed the regret if she didn’t choose the right boy or wait the unspecified prerequisite amount of time.  A boy’s first time is his initiation into manhood.  A girl’s first time is her destruction.

He didn’t worship your purity.  He smirked and called you a prude.

Being a virgin didn’t mean you were immune to the rising physical sensations during your kissing sessions.  You didn’t like that being a prude meant you were judgmental, that you hated anything sensual. But you didn’t love him and weren’t even sure that you liked him, but he kissed you so he had to like you.  And you weren’t about to lose this opportunity of having a boyfriend.  So you accepted his “playful” advances, chalked it up to him being a boy.  You figured that as long as you knew what was happening, you could keep him from going too far.

His patience with your denial was dry-rotted elastic.  When he probbed your zippered wall and absolute barriers, he called you a tease.

But being a tease meant you were playing with him, “dicking him along.”  Being a tease was being a slutty virgin.  Being a tease meant you could be changed through guilt and manipulation.

He teased you for turning away what he offered.

He wasn’t teasing you when he saw you with your notebook, looking dreamily out the window, and said, “Another feeble attempt at poetry?  Bad poetry?”

He walked away, cocky in his sexual assuredness.  Victorious that if you refused to let him plunge into you then he could plunge in the emotional knife.  He got the last word.

You got to sink into the desk and pretend that you weren’t going to cry.

You hadn’t been raped.

You hadn’t had sex.

But you had been dumped.

Because you were a tease.

You thought he had liked you.  What you realized, was that you were an opportunity, a temporary lust, a malignant treasure hunt in which you were just a stupid booby prize.

You didn’t know how to be a woman when you were told to love yourself for who you were.  The woman you wanted to be didn’t care about appearances, didn’t need expensive creams and color palettes.  You lean forward, your breath steaming the mirror.  You pluck eyebrow hairs.  You line your upper lid, drawing up the brush at the corner, creating the Egyptian cat’s eye.  Leaning back, you pretend that you resemble Cleopatra, a woman who killed herself because she refused to be a man’s tool.

You wish you had her strength.  You wonder if he would respect that.

With a few swipes, the smokey eye is achieved.  Your eyelids lower, slowly.  You are sultry.  To a degree, you’re slutty, and you ignore the discomfited conscience gnarled in your belly.   You are transforming into the beauty you have longed to be.  You are intimidated by this fabricated woman, but you know she is loved, and so you try to love her as well.

In college, you still submerged yourself into your guilty pleasures, your romantic movies, your quasi-erotic romance novels that filled your barren reservoir of loneliness and constructed a mystical him.

He would find you.  You knew that somehow you were fated to find him.

But this belief was secret because strong women didn’t need men. They weren’t lonely.  Their iron self-confidence and self-love lifted them from you and the rest of the masses.

To show your appealability, you sat in the middle of the lecture halls, far enough from the front to avoid looking nerdy.  Far enough from the back to avoid looking apathetic.

Everyone loved you because you were “so nice.”  When they got drunk and puked, you made sure they slept on their sides and cleaned up the foul piles the morning after. You edited papers and helped with homework. You listened to their stories, held them when they sobbed, and supported them no matter what.  Even some of the young men called you the “perfect woman” because you “were always there and just listened.”

But you were alone. Steadily, the girls found their dream men.  In October, you broke down, sobbing “What’s wrong with me?”

Blinded by the attention and acceptance, you succumbed to a makeover.  By Sunday night, you even bought your first “cute outfit” that you were afraid of wearing.  Too much skin showed in some places, skin that was mottled or cleavage that felt unsettling or dangerous.

The next Friday night, your hallmates took you to a frat party.  The room throbbed with bodies and booming bass notes and schizophrenic strobe lights.  Entranced, you stood within a humping cluster of people and tried to fit in which failed because you were unable to mimic the tribal ritual.

Through the surging ball of people, a young man penetrated your vision.  He saw you and his expression became sympathetic. He saw your loneliness.  He saw the girl in a spotlight and he came to you.

It was pure magic.

Just like what was written in those books that predicted romance and happiness for the unsuspecting girl.

You knew those books were bound together with cliches and tropes and that nothing this mystical could happen to you.  You were not the forlorn heiress, the trapped princess, the cursed ballerina.  And even though you were corseted into the cute outfit, the sediment of makeup suffocating every pore was a reminder of your imperfection.  You were not worthy.

But then he was there, in front of you.  He had a pack of cigarettes in his white t-shirt’s breast pocket and held two cups of translucent, golden beer.  The stench of old smoke and cheap brew was repulsing.

He was not the Prince Charming you were waiting for. But every love story was about transformation, and you had been ripped through your chrysalis stage for him.

You took the beer but didn’t sip it.  You’d heard the cautionary tales.  You were smart no matter what your bra size might say.

He asked for your name.



“Helen.”  You were patient.


“Helen,” you shouted.


It had been over a year since you felt the warmth of your ex-boyfriend’s arm draped over your shoulder, and you liked hearing this new young man say your name, like he really wanted to know you.

The strobe lights blinked into your eyes and your waxing wistfulness and the young man steered you into the crowd.  His body humped into yours, his arms crescented around your waist, scythed you in.  The music shifted, just like in the movies.  In the slowness, he drew your tentative hands from yours sides, knotted them around his shoulders.  Your fingers conformed to what might have been soft muscle or the beginnings of fat.  You didn’t care.  How could you judge him when you were so imperfect?

This moment was saturated in meaning.  You rested your head on his chest and heard his heartbeat and believed that it was beating for you.  His body guided you through the compact circle of people who were smears of color. You noticed your hallmates grinning at you, proud of their little girl and her first hookup.

Unbidden, his lips stretched across your neck.  His lips were moist, almost room-temperature against the blistering heat searing through you.  The dampness of his skin, his urgency, the fact that you didn’t know his name.

This wasn’t romantic.  This was a slug trodding across your clavicle, searching for the plumb line that would sink him into your depths.

Your hands fastened themselves to his chest.  You pushed lightly.  He surfaced from his attention at the top of your cleavage, his fingers had tried to hook themselves into the neckline of your dress.

“No,” you said, applying more weight to your fingertips, more pressure to the words he didn’t understand.

You read that he saw himself as Adonis, but he was just another boy in a man’s skin-suit looking for a quick release.

“Babe,” he said.

“My name is Helen,” you repeated.  You needed to hear him say your name.  You needed to be more than just this belt notch, this conquest.


You pushed away from him.  You floated through the crowd, being pummeled without noticing.  The floes of people parted for you, reformed.

At the door, you turned and looked back at him.  This was when he was supposed to come to you, apologize for making you feel cheap.  Instead, he snagged two fresh cups of beer and approach one of your hallmates.  She accepted it enthusiastically, started drinking in spite of the warnings she had given you that night. She lowered the cup, went into his arms, merged into the vibrating crowd.

You walked back to your dorm alone where you locked yourself in. You peeled yourself out of your slut-suit and decided never to wear it again.  In the shower, your skin reeking of beer, cigarette smoke, and unwanted desire, you went through the motions of washing yourself, unsure of how to process the evening. You should have felt proud, but you couldn’t summon any trace of emotion.

You move onto your lips.  With a liner, you plump your lips, draw a cupid’s bow.  With the lipstick, you craft lips that can form seduction or conform to his.  Each is another layer of spells you’ve learned to cast in your womanhood.  With each step of your regimen, the fat shrinks, your breasts tighten, lift.  You could pass the pencil test.

With fluency, the brushes skim your face, as though you are finding yourself, an archaeologist unsurfacing the work of art entombed beneath the refuse and filth. You tilt your head at the woman in the mirrors, open and close your eyes languidly, flirt a little with her. The burgeoning beauty intoxicates you. With your hair parted to the side, the tips cupping your perfectly blended face, loveliness explodes.

He will kiss you tonight. Or, rather, he will kiss the woman in the mirrors. You will still be home, waiting for the rightness to come outside. You will be coiled in loose fitting pajamas while the beautiful woman surging out of your skin will slip into the size 2 dress that you diet and struggle to enter.

She might not eat dinner tonight. But she will be happy. She will have completion.

In the beginning of your sophomore year, you met him.  He lived on the floor below you and knew your suitemate. She liked him, had clearly set her designs on him. She was the one who invited him to come with you to the dining hall or the Friday night free movies.

But he sat next to you and you found out you shared unique commonalities. You both loved anime. You both had and hated the same English adjunct professor. Horseradish made you both violently ill.

You kept your hands clear of him, but he walked with you. When you dodged the mud puddle splattered across the sidewalk, he rested his hand on the small of your back to guide you past.

You refused to nurture the seedling within you. But your suitemate conceded that he was attracted to you. You saw the traitorous twitching in her eyes, the way she couldn’t really look at you directly. You recognized the anger and told her you weren’t interested in him.

She said that she didn’t really want him anymore. She liked someone else in her business ethics class.

You started dating him the next day.

You were still intact, a sexual nobody. And, unlike the previous three breakups, this one didn’t seem to care. He kissed you until your body swam with pleasure and awakened new nerve endings in your core.

When you came back after your third date, your roommate noticed your intact clothing and unmussed hair.

“Hasn’t anyone told you about the third date?” she asked. “He’s going to expect you to put out or he’ll probably dump you.”

Your suitemate watched you through hooded eyes as you considered this.

And the panic rose. You really liked him and wanted to be with him. And you were tired of being on the outside, looking in at all of the successful relationships blossoming around you. Why did you have to be doomed to isolation? Surely, allowing things to move to the next step couldn’t hurt anyone?

Maybe, he was the right one.


So when he fingered at your buttons or teased at your zipper, you didn’t feel like he was a duplicate of Creep Number One, as you liked to call him. You were an adult woman ready to make this adult decision.

You still wanted to wait a little longer. You were scared of the pain.

You were scared of it being meaningless, of it just being it and not the magical night that seemed to be what should happen.

You wanted the candles and the lovesongs.

You wanted the silk sheets and the stars aligned and the full moon and the perfect date which would not lead to his dorm room.

Which is where it finally happened.

Funny how the man who earned you a new nickname was your first and you were not his. He had mentioned to you somewhere over dinner, or maybe in the casual walk to and from his car, the number of lovers in his past.

You didn’t think he was bragging. You heard his insecurity, his questioning.  He was lonely too. He was beyond kissing, though.

You weren’t certain that this was what you wanted when you followed him to his dorm room, when he closed the door behind you after twitching something over the doorknob.

He walked nervously around the room, turned on the television, a white noise that belied his practiced inability to seduce. He chatted about hobbies, his work, his interests.  You casually listened, casually glanced at the light strobing from the television, at the people trying to save one another, trying to hurt one another.

He sat next to you on the bed. Crossed his leg, uncrossed it. His fingertips lightly stroked your shoulder. In concert, you moved toward him, his slightly parted lips.

Like the movies, you tilted your head in a complementary angle to him. Stretched your head forward. Your lips met. An emotional carbonated rush flooded you. Each time you kissed him, the intoxication, the sense of heaviness plumbing your joints left you an inch from fulfillment.

In his arms, the loneliness was staved. With him, you knew who you were.

You were love.

Later, he wasn’t as impressed as you hoped he’d have been with you and your inexperience.

He confessed to looking at other women. Not touching. Just looking.

But in his looking, he was also fantasizing.

You were “okay.”

But he’d “had better.”

The sexual recipe you followed had failed.  You had no idea what you had been doing and now you were damaged goods and he released you to the world where you were once more a tidbit on the side of the road.

The girl who had wanted to be with him learned of the breakup. She flaunted her interest, snaked her walk in front of him, offered him her wares. The girl who had encouraged you to be with him now called you a slut. To your face. Because she had been doing that for the last two months behind your back.

First you were a prude.

Then you were a tease.

Now you were a slut.

Just be yourself.

Just love yourself.

With all those names, you weren’t certain how you could.  So you plunged two fingers down your throat and melted your body into tiny clothing and learned to walk in a way that suggested knowledge and availability.

You earned a degree in business and opened a flower shop because, naturally, you would. You plaited love into the stems, wrapped desire laced ribbon with wire at the edges around bouquets. You knotted bows, tied together dreams. You delivered hope and promises and pain.

Several times a month, you received the castigating, angry phone calls of the scorned, the cuckolded.

You delivered vases of red rimmed thorns with messages…





They don’t paint those names on souvenir mugs. If they did, businesses could never keep them in stock.

Because casual one-night stands left you feeling lonely and filthy, you decided to overhaul yourself. You walked the cosmetics aisles in grocery stores and then in high end department stores. You went to the temples of specialized boutiques and you invested.

Your body swelled with power. You could change, alter, and improve yourself.  With special brushes, tweezers, wax, and thread, you could refurbish your body and finally find some sense of peace. You could find your way into acceptance.

But the gnawing loneliness was not sated.

You went to bars and churches. You created accounts on dating sites.  You found occasional moments, the dates that lead to more dates that lead to expectations that were hollow and so emotionless that you refused and they ghosted you.

Passive aggressive dumping. Kinder than the first. Just as painful in the end.

And then you met him, the man for tonight.

He’d meant to go to the dry cleaners next to your shop; he was so focused on his phone, he didn’t notice he’d entered the wrong business. He came out of his digital unconsciousness when he knocked over a vase, the flowers and water spilling down his pants leg.

“What the hell?” he said.

You felt the instant attraction. This was how it happened in movies, television, books, the romance how-to guides that you followed religiously. The serendipitous moment. You stepped away from the register, snagged the paper towels under the counter, approached the awkward scarecrow with his arms lifted over his head, his clothing dangling from one hand, his offending phone clasped uselessly in the other.

“I’m sorry,” you said, even though you should have known better. You shouldn’t have put that perfect arrangement of flowers in the perfect vase in the perfect place for customers to see and buy on impulse because they forgot someone’s special, significant event.

He looked down at your hand that was offering the paper towels so he could wipe up the water that was creeping up his knee, toward his thigh.

“Don’t bother,” he said, turned around, his clothing brushing your face.  You smelled his cologne, a scent of old leaves within a wood, a touch of earth within embers.

The door chimed with his departure and you were left within a penumbra of glass and cut flowers.

Minutes later, you were blotting up the water from the dark, scratchy fibers of the industrial carpet.  The door chimed and you said to the carpet and the tattered paper towels, “Just a minute.”

The would-be customer said nothing while you finished cleaning the mess.  When you righted yourself, clasping the sodden mess, you recognized him.

“I’m so sorry,” you repeated.

“It’s not that big a deal,” he said.  “I should have been paying more attention.”

He dug into his back pocket, extracted his wallet.

“What do I owe you?” He fingered through several bills.

“It was my fault,” you replied.

His face twitched and a perplexed half-smile crescented.  His eyebrows furrowed, he lifted his eyes from his money to you.

“Okay?” he said.

He glanced around the displays, calculating.  You wondered if his girlfriend or lover or whomever would appreciate what he did or immediately suspect that he’d done something wrong.  His eyes rested on nothing as they did a second, a third sweep.

“Look, let me make it up to you,” he said with self-assurance.  “How about I take you out to dinner tonight?”

You noticed that he didn’t ask about your boyfriend, lover, husband, anything. Your initial enamor collapsed a little.  You didn’t think you’d broadcasted your isolation.

But then he gave you a cocky, coy smile and you surrendered.

He glanced at your operating hours.

“Pick you up at seven?”


He left, not asking where you lived. Regardless, you took a long lunch to go home, filled your travel case with make-up, and snagged that cute dress you’d just bought.

Between customers, you prepared, intensifying eyelashes, flecking the corners of your eyes to highlight the shadowy depths within.  You brushed color across your lips, rimmed them with a headier intensity. Around you, music cascaded, the rose blossoms plumped voluptuosity. Irises sang out choruses, praising your beauty.

Steadily, men and women entered the store, fingered the wares, were drawn to the counter where you hovered and smiled. With an unconscious reverie, they migrated through your inventory, made requests, paid the sums you quoted without hesitation.

The day was perfect.

He arrived a little late, just thirty minutes.  Your innate patience was complemented by your beautiful forgiveness.

He tapped on the door and you came around the counter and stood within the circumference of the recessed lighting. His breath caught.

That first date was magical. It was a Monday night and you weren’t home, watching television while eating a microwaved chicken potpie. He was drowning in your presence and you loved it when he folded his hands around your face, as though in prayer, and kissed you.

You kissed him back and an effervescent intensity bubbled up through you. He leaned back and that cocky, coy smile appeared.  The lightness faded, the bubbles popping.

“You are so damn sexy,” he said. He waited for you to thank him.

He saw you for what you built, not who you were. But he had kissed you and in that moment, you were willing to settle.

You dab perfume on your finger, press your finger into the crook of your neck.  You moisten your fingertip, press it against the pulse in your wrist, kiss your wrists together.   Scented, primped, primed, and ready, you step into the tiny dress, fold yourself into tailored cuts.  You check the lift of your breasts, that they are cupped in the correct places.  The hem huddles mid-thigh, clasped against your smooth skin.  Returning to your sofa, you wait.  You try to read more about Prufrock and his un-lovesong but the words catch.  Instead, you put the book back on the coffee table next to the unlit candles and wait some more.

He comes in without knocking, a confident grin spreading when you rise.

“Hey babe,” he says.

That same disappointment from the first time he kissed you screeches into your abdomen.

His eyebrows jerk up and down. Approval.

The satisfaction you felt sours into a bitter aftertaste. A night spent on your couch, wearing your comfy pajamas while watching silly movies sounds enticing.

“You want to do take out, eat here? We can watch TV,” you offer.

“But you look great,” he replies, holding out his hand. “Come on.  Let’s go.”

You follow him to his car parked out front. The headlights blink and the locks tumble open. He walks around the car, gets in without a word.

You’re standing outside, looking at your skewed reflection in the automobile’s yellow, concave surface. You don’t understand your hesitation. This is the romance that you can earn with your imperfect looks and sonorous insecurity. The confidence you have painted on will disappear in your shower tonight after you are done. He will see you.  He will reject you. And the cycle will continue.

The window slides down; he leans over.

“Come on, babe.”

Your hand is on the cold metal of the handle.  Is this all you’re worthy of?

You created a face and a body and a personality that you don’t know.  All you know is her name.


“My name is Helen,” you say.

“Okay.” Impatiently, he leans over, his eyes roaming the length of your body. He reaches over, pops open the door.

“Come on. We gotta go,” he says, settling back into his seat. His phone whistles. He chuckles at the text bubble. Taps a reply, hits send. The phone makes a swooping sound.  He’s bragging about you, about being with you.

You find no compliment within this. He’s bragging about being with a fake you. The real you is upstairs, sitting on the couch, your feet tucked up under you, as you read poetry and ignore the television. You love that you, the one who wears fuzzy pajamas with filthy hems because the legs are too long and you refuse to cuff them because you like the cloth cupping your feet when it’s cold. You love the you who sings out of tune love songs and dances like a crazy woman when the downstairs neighbors aren’t home and can’t complain about how loud you thump. You love the you who loves the lonely man who exists in poetry and walks along the ocean, wanting to hear the mermaids sing.

You like getting dressed up and made up and feeling pretty. You like the tightness of your skin and its sultry feel. You enjoy being wanted and appreciated.

But you don’t like him.

You know he’s told his friends that you’re going to put out tonight. You know he’s excited because it’s your third date and can’t wait for the climactic conclusion, even if he won’t call you by your name.

You step away and he realizes that you’re retreating. With alacrity, he steps out of the still running car, comes to you, wraps his arms around you.

“What’s wrong?” Your resolve corrodes. The heat of his body against yours, his solidness is a reminder of the continual loneliness that you loathe. As though hypnotized, your hands raise, adhere to his chest. He leans forward, kisses you. A closed mouth, hard kiss. He slips back, takes a breath, comes in again. His lips part, the tip of his tongue enters.

You relax into the kiss, lean into him. His hand slips down your back, follows the curve of your buttocks. His fingers touch the hem of your skirt, flicks payfully at the edge.

It’s not Friday.

You tap on his chest, jerk your head back, a string of spittle hanging between you.



“What?” His eyes are mirthful, his fingers play a song on your ass. “God, babe.  I’ve been looking forward to this all day.” He leans forward again, his mouth slightly agape. You recoil, your face slinking back into your neck, and your double chins appear.

His hands fall uselessly to his sides and he jams them into his pockets.

“What’s going on?” he demands. Movement. A slight shifting.

“My name’s Helen,” you say.

“I know.  Look, I don’t have all night,” he fumes.

But you do. You have all the nights in the world, in history, in time. You have the nights of yesterday and today and tomorrow and they will not include him.


You turn around, walk back to your apartment building. Behind you, the door slams.

“Bitch!” he shouts.

You take off the shoes, hook the heel straps around your finger.

You’re on the first landing when he calls you a tease.

You’re at your apartment door when his car’s tires squeal in protest. He shoots forward until he’s feet away from the speed bump and he hits the brakes. Eases over. Guns the roaring engine once more.

You unlock your door, step inside, drop the heels, and lock the door behind you. You snag the book of poetry and go to your bathroom. The mermaids shoot perplexed looks at one another. You weren’t supposed to be home for hours. You weren’t supposed to come home alone.

You flip the curtain out and ignore their protestations, turn on the hot water, seal the tub.

The water rises and the dress falls. You step out of it, kick it into the hall. You ease into the water, hiss a little at the heat. The water slides through your hair, spills into your ears. Sound is muffled, amplified, a series of chords as you adjust, the water flicking around your knees, up your thighs, across your arms and chest.

Under the water, you scrub at your face. You feel your skin, feel yourself. Your body relaxes from the shape you had conformed it to.

Your mouth breaches the water. You release the tension concealed within your lungs and chest.

Take in a long breath.

And your body rises to the surface.





How did this happen—
New bloom in October—
Does it not fear frost?



Panic’s setting in.
I will once again become
Anxiety’s bitch.



Rose colored skies bloom,
Eclipsing the Aurora
On upwelled canvas.





I lean and let gravity play its music, play its
role in crafting my destiny, a purpose that I
celebrate. In my head, a kingdom lives with
stones shaped in an innovative design. I
breathe for those that sacrificed. I climb
for those that didn’t have a chance to realize
their potential. This is much more than a
slave song, a ballad that circles in air from
the coast of West Africa and makes a home
on a street corner. I lean forward into a
dream, with a clenched fist.



She was like a Kubric Film,
Master strokes of purposeful small details.
A soft directional stare
Holding a distant beauty

I’ll eat up every second—
popcorn in hand,

Admiration in eye
She placed her hand in my palm
Carefully slipping her fingers in between mine
Just for a moment
Then returning her hand to a fist
To lay dormant atop my open hand.
I lived for the drives we would take.
Winding, twisting, flying
Past street lights,
Framed perfectly in the passenger window

She glowed—
I stared lovingly at the scene

She avoided my sight line,
With pontificated silence and dismissive head nods
As I stumbled into a monologue of my personal interests
She was a troubadour to my passions
Move on.
I played the fool to it.
Always waiting for the next performance



lovers so transcendent
i would feel my soul
lay into his
our bodies activated

onward into the kaleidoscope
our energies plugged into
separate neurons

and our connection





I grabbed the bat
from beneath the bar
and brandished it, yelling
“That’s enough, assholes!
I’ve already had a gun
pulled in here tonight!”

They stopped shoving,
but the three hundred pounder
with the shaved head
glared at skinny me, shouted,
“Fuck you, motherfucker!
I ain’t afraid of your bat!”

I blinked. Glared back. Waited.
His friends talked to him,
sat him down, got him a drink.

Not the reaction I expected,
but at least I’d smoothed the wrinkles
from the rest of the night.

Under the counter,
the bottle clinked
against the glass
as I poured myself
a vodka cranberry.
Double, at least.



She says the man threatened her.
Salt stings the corners of my eyes

wider than usual with the index
crisscross of plaid, cracked leather

of his sneakers; dare in his pout; my wet
skin, heavy to the pumpkin flesh, his also

cracking; my lips viscous; tentative.
I am cadence, 180 strides per minute.

Channel 6 will ask for a word or witness
to account the sprout of her limbs

near a bronze box, replica of the one in which
Henry Brown shipped himself to Freedom.

I give myself to morning nearly every day;
today, the breeze interrupts thick humidity.

But fails my skin.

In autumn, even, the weight of wet skin;
in the store choosing dinner; I-64 to errands

so heavy my Human wilts under it.
We should both know this.

Her petition finds me an excuse
of sweat and anonymity.



I picked up the pieces
of dignity
and happiness
that littered
the street like
broken glass

I died at the corner of
N. Franklin and W. Monroe
I came back
as a woman

The future was dim
I trudged through
to find

A Band-Aid fix
to hide
my sadness

I left you
I left this chapter
I left my self-loathing

Reincarnation II
Here I stand
In the city
shattered me
killed me
swallowed me
But I am —





And so it was, that Phranklin Phinster did take his neon pink skateboard; and with it, mercilessly thrash his Aunt Sam’s begonias, for they had offended him. After which, he meandered down the pock-marked avenue that was his sanctuary, from the rutabega-festooned two-story bungalow that was his home. It was, that as he meandered, he accused random mammals of incestuous cribbage games and believed several automobiles to be singing “O, Danny Boy”. His steps became more ungainly, his stride more stilted, and his hair more aflame as he continued his aimless trodging. His eyes glazed over and several witnesses accounted to seeing him start doing the Hustle sporadically over the course of seven minutes. He then came to a sudden stop that was so sudden, all the loose change and lengths of wire and rope kept in his pockets, socks, and codpiece were expelled from therein, with such velocity that there were nineteen instances of penetration in the stucco and brick walls of the houses and shacks lining the avenue; and one case of penetration of Mrs. Stuck-in-the-Mud, from whom was later removed $2.83 Latvian, and a string of tea bags.

After stopping with such great force, Phranklin craned his head back so as to observe the sky, on that day a lovely shade of bright purple. He craned his neck to the point where his adam’s apple was perpendicular to the uneven asphault, and further still until he was looking directly behind him, taking in the collateral affect of his erstwhile stroll.

Upon seeing what lay behind him, coupled with the effect of viewing it upside-down, it is said that his eyes began to fill with tears of milk and honey. His heart welled up with sorrow, his stomach with bile, and his bladder with urine.

He felt he could not bear to view the aftermath any further, and so he began to tilt his head back even further, pressing it into the bumblebee pattern on the back of his shirt, until a tear formed at the front of his neck. Further he stretched, until he had ripped his own head off from his own neck on his own shoulders, and had taken note of the hole in the back of his shorts’ leg as the level of his eye fell. His body, however, much like that of a chicken, was not yet consigned to death; and proceeded to drop the skateboard, mount it, and ride it down the avenue. Without the benefit of a head, though, the body jumped the curb and slammed into a spreading chestnut tree. And so it was, that Phranklin Phinster was dead.



It is nearly dusk on Halloween, and soon the youngest costumed children will be coming to the door escorted by their parents in wagonfuls. John sits on the couch, facing away from the closed bedroom door. He was previously thinking about dinner but is now preoccupied with his decision from several hours before to let the hospice nurse go home early.

There must be a paper somewhere, he thinks, with all the appropriate numbers. They have classes for these kinds of things, he is aware, but they were always at such inconvenient times. Did the hospice nurse have children she needed to take trick-or-treating? He doesn’t remember. For some reason his memory of the hospice nurse looks like McDonald’s clown, which is unsettling so he would prefer not to linger. Perhaps her number is on the paper that must be somewhere. He is unsure of how to handle this situation.

The doorbell rings and John dutifully pushes himself out of the deep cushions. When he opens the door there is a three year old Dalmatian with blonde hair and ears made from the corners of an old crouton box. John recognizes her as the Moorfield girl, Jenna, or Gemma. Perhaps it’s Jennifer. The Moorfield woman is behind her holding a baby in bumblebee stripes.

“Trick or treeeat,” the Moorfield woman says in the delicate voice women use for children.

“Gemma, what do you say, baby?”

The Dalmatian lifts a plastic pumpkin closer to John and mumbles something he assumes is related to the holiday.

“Oh, wonderful!” John says, “Look at what a pretty puppy we have here, oh yes, ha ha … let me go find a treat for this good girl, okay? Okay. I’ll be right back now.”

Of course, there is no candy. John is aware of this. He does not purchase candy; it’s terrible for your teeth and his teeth are terrible already. John vaguely panics thinking about the dentist and shuffles back toward the kitchen in hopes that there may be some peppermints shoved in the back of a drawer somewhere. He is not sure how to handle this situation.

John empties the drawers of all their toothpicks and embroidered napkins and soy sauce packets, but finds no peppermints. Perhaps butterscotch drops, he thinks, because Barbara used to buy a bag and hide it in the crevice between the oven hood and the cabinet to eat while she cooked and he watched golf. It was a long while since Barbara cooked though, and there is no butterscotch bag in the crevice. John thinks perhaps there are some cokes in the fridge. Children like Coca-Cola, he thinks, but inside the fridge there is only a casserole from whoever lives across the street and a large bottle of beer, which John tells himself to remember for later.

And then, a stroke of luck! When he shuts the refrigerator door the paper with the appropriate numbers is right next to his hand, tacked on by a large plastic magnet commemorating John and Barbara’s cruise to Alaska four years prior. He takes the paper down and studies the magnet for a while, remembering that there was a very decadent chocolate cake for dessert when they had dinner with the captain and how thrilled Barbara was to win bingo the third night. John finds that he is smiling to himself despite the situation at hand. He is not sure how to handle it.

The immediate situation at hand, he suddenly remembers, involves a Dalmatian with an outstretched pumpkin. Candy, he thinks, and grabs a can of prunes on the way back to the front door. They are wrapped individually, John thinks, this is fine. 

“Okay then,” John says as he walks back to the Dalmatian and her mother, “I think I’ve got something this puppy-dog might like.”

He tries to open the can of prunes and realizes that it might be difficult while still holding the paper with the appropriate numbers and the rather bulky Alaska magnet. He does not want to put them down and risk misplacing them again, so after several long seconds of wrestling with the prune can it finally pops open. John is unsure how to handle this situation. 

“Aha!” John says. “Sorry there ladies, I was having a little bit of senior difficulty, ha ha.”

He pulls out two prunes and drops them into the Dalmatian’s bucket. He pulls out a third and hands it to the Moorefield woman for the Bumblebee.

“Fank you,” the Dalmation says.

She is timid in the way tiny blonde girls often are. John thinks she has excellent manners.

“You are very welcome,” he says and tries his best to bend to her level, “are you gonna grow up to be a big strong puppy dog?”

The Dalmatian nods emphatically.

“You’re gonna look out for this little bumblebee, right?”

Emphatic nodding.

“Wonderful, just wonderful. You’re a precious little thing, aren’t ya? Ha ha.”

John has to use the door frame to stand up all the way. The Moorfield woman is smiling, apparently proud of her offspring. There are less children in the neighborhood then there were ten years ago, John notes. He has been here for a long time.

“Thank you for the treats, Mr. Rivers, they’re very yummy, and not even bad for your teeth!” The Moorefield woman looks at her children while she talks, as if she is simultaneously speaking for them as well as instructing them on grown-up manners.     

This is a good woman, John thinks. He is admiring the children while she asks vaguely about Barbara’s health. This scenario can be handled privately, John thinks, she does not need to be involved. Women like to cause scenes, and there are a Dalmatian and a Bumblebee present.

“Oh Barbara’s fine, just fine,” he says, “Just taking a little rest today, you know?”

The Bumblebee gropes at her mother’s hair and seems to have some difficulty controlling her saliva.

“Yeah? I heard she was on bedrest, and then of course I’ve seen the nurse here every day.”

“Yes, yes, she’s been here. Very helpful for Barbara, you know, I’m absolutely useless.” John says. He is attempting to be amiable but is still distressed by the image of the hospice nurse as the McDonald’s clown. Leave that alone, he thinks.

“Well is there anything we can do to help out? Dean works all day, you know, and us girls aren’t bad company if you needed some extra help around the house.”

“Oh, we make out all right here,” John says, and for a moment is thrilled by the thought of spending languorous autumn days with the Moorfield woman, the Bumblebee, and the Dalmatian.

“I think mostly what Barbara needs is peace and quiet.”

“Mmm, that makes sense,” the Moorefield woman nods with a significant amount of sincerity.

“Yes, rest and rest is what the doctor ordered, ha ha.”

John is overwhelmed with the urge to tell this woman that his wife is dead. He is not sure how to handle this situation; it seems bad in every direction. How would this woman react if he told her Barbara died exactly forty-seven minutes after the hospice nurse went home? How could he explain, with the Dalmatian right at his knees, that his wife is a corpse under the covers with his own bedtime rapidly approaching?  The risk is great, John thinks, but somewhere on this page the appropriate number is written. And if she can help me find it, perhaps I can have dinner at a reasonable time. He clutches the Alaska magnet and prepares to breach the truth.

“I cannot have them thinking this is a prank,” John says.

The Dalmatian is looking up at him with so much innocence.

“I’m sorry?” The Moorfield woman asks.

“You know, for the holiday,” John says, “the Halloween and all.”

“I’m, sorry, I don’t understand.”

John takes a rather deep breath.

“I am reasonably sure that my wife is dead. I need to call someone, but I’m not sure which number it is. They have classes for these things, I know, that you’re supposed to do together before, you know, one of you becomes hopelessly infirm but we went to Alaska instead and had a wonderful time, and I’m glad we did, honestly, seeing the moose and the lynxes and lots of men with big beards and the syrup there is just fantastic so– ”

“You’re reasonably sure? She’s– dead?”

She didn’t even whisper the word, John thinks. She just said it.

The Moorfield woman moves past him into the house and sets the Bumblebee on the floor near the stairs. She asks several questions about the nurse and Barbara’s medications while the Dalmatian waits patiently at the door. The woman heads for the bedroom, toward the closed door beyond which  Barbara is no longer breathing.

“No no,” John says, trying to move as quickly as possible in slippers that seem directly opposed to his will, “I don’t think you need to see her. She’s dead. Please don’t cry.”

The woman is already in the bedroom. The Bumblebee scoots toward John and he marvels at the resilience of her diapers.

“I am afraid I don’t know who to call,” John says after her, “I don’t want the children to think it’s a prank, when they come to take the body away.”

The woman comes out of the bedroom not crying at all and John is surprised. Don’t women cry at dead things? Barbara cried at the very mention of dead things. She closes the door behind her. 

“I understand,” she says, “let me see that paper, please?”

John sees as he hands it to her that there is a name written in large capital letters, circled several times and highlighted. That is probably the appropriate person, he thinks, and tells the woman.

“Yeah, this is the coroner,” she says, “but I don’t know if they’d wait to take the body away. Maybe we should call the nurse? Is her number on here?”

“She had to go to her second job at McDonalds.” John thinks there is a possibility this might be true, as he is still unsure of the connection between Ronald McDonald and the hospice nurse. At any rate, he does not wish to see her.

The woman stands scanning the paper for anything. She seems to have a sense of what to do, John thinks. The Bumblebee stands up and clutches John’s leg like a tree trunk, moving in jerky, unsteady steps. He bends down to pat her bald-ish head, soft like a real bumblebee.

John wishes more than anything that Barbara had waited one more day to die. The day, even the morning following Halloween would be an ordinary time to die. People would only come to their house after the fact, bringing covered dishes instead of asking for candy. There would be no costumes and most likely no children. But tonight there would be people, complete strangers progressing in degeneration as the night wore on, milling about the neighborhood to witness his wife’s body being carted out of their house. They would assume it was a totally rad Halloween decoration, John is sure of it.

He wants her to be respected. He wants her to come back alive for twelve more hours. He wants to sit down.

“I think I would like to take a seat,” John says, but cannot detach himself from the Bumblebee.  He shakes his leg lightly but she’s clutching hard. She does not even look up at him, and her mother is preoccupied with her phone. The Dalmation has moved on to the yard, plucking dandelions from the grass. There is supposed to be some kind of dignity in this scenario, John thinks, and instead there is a small bumblebee drooling on my pants. This has gotten out of hand.

“I said I think I would like to take seat,” John says, rather loudly. He is suddenly overwhelmed by a need for French fries.

“Oh, sorry,” the Moorfield woman scoops up the Bumblebee and still manages to hold onto her phone and the paper with the appropriate numbers.

John moves toward the couch and its deep cushions. He sinks in and does not fight the urge to put his head into the soft bowl of his hands. He thinks he may be crying. How did I get here, he thinks. And where the hell do I go now?

Millions of tiny wonderings fill his head, like how will I fill my hours without the butterscotch hidden beneath the cabinet? What about the mums in the fall and the radio playing in the kitchen? Who will accompany me on all those exasperating grocery trips? What is left without my wife, John thinks. I do not know, is all he knows for sure. I have no idea.

 After a short while John realizes the Dalmatian has climbed up beside him and is studying his grief. She places one of her several dandelions on his lap. The Moorfield woman and the Bumblebee are watching him from the ottoman across the room. John takes the dandelion and puts it behind his ear, which makes the Dalmatian smile. She says something to the elementary effect that he is beautiful, and he wants to give her all the dandelions in the world.



when i threw the guitar off the tenth floor roof, i pictured how far it would go: carried by wind and my baseball swing, it could have sailed across the parking lot and over the 4-lane street into and through the front glass of city hall. when i threw the guitar off the tenth floor roof, i could say the glant guitar flew through the lobby of city hall–security sleeping–smashing the front door of the mayor and spanking him literally off his ass and rededicated to the people. in/stead she in her sheen grabbed by the gears of gravity spun like a crashing jet and broke her neck on a pallet of cinderblock amid yips and yells of glorious destruction. when i threw the guitar off the tenth floor roof,  i almost lost my balance.





Huckleberry Hound was a lazy pup
but rounded the corner with raving eyes
lathered and frantic, like he was pursued.

Said, “Mama, he went up under the house.”

“Go get him,” she said. “Yes, ma’am,” I replied.

Dog-sized chink in the brick foundation
but if I reached one arm in tucked my head
could squirm up follow him into the dark.

She handed me a flashlight, said, “Go on.”

This was something I’d never considered
the guts of the house its underbelly

squared onto a powdery dirt that for
all the age of the structure had not seen
the light of day.  Dank dry dust and cobwebs
creepy and cool is why he’d gone in there.

It took a while but that had to be Huck
against the blank concrete wall of the porch.
Paired red dots way back there his trembling eyes
or was that just what my eyes were doing?

“Go on now,” she said.  “Dang, mama, alright.
On my belly toes dug in had to keep
from bumping my head on the kitchen pipes
then past them like diving under water.

Heard him whimper or again it was me
but closer now squeezing midway under
the dining room far up in there was a
private place like nowhere I’d ever been.

Hi ol’ Huck.

Eye to eye it was bad how he panted
neck strained teeth bared in a grin that scared me.
Far back in the day Mama said, “Get him.”
But this was my call.  I said, “Hush Mama.”
She didn’t like that. “Don’t you hush me boy.”

Who knows how long it took?  Flicked off the light
dropped my head on my arms. I knew one tune
and sang it.  Maybe you know the song, too?

Jesus loves the little children
All the children of the world
Red and yellow black and white
They are precious in his sight
Jesus loves the little children
Of the world.

I did that a while like a lullaby.
Then this moan shut me up a whole ‘nother
song that right now scribbling can hear it plain.

A lot of time in there to contemplate
the dirt to consider the ticking dark
nose pressed in things I hadn’t thought about.

When I dared to switch on the light again
Huck was different, ribs still, legs stretched out
like he was running someplace, eyes bugged tongue
lolled long and dry.  So then what’s the hurry?
In that weird space I sang to him some more.

A slow drag then feet first for both of us
snot slimed to mud on my cheeks shirt rode up
and the rub of the dirt at my belly
press of the house like the flat of a hand
freaked out beneath the dangling kitchen pipes
desperate old drowning man flailing for air
little kid squirming to drag a dead dog.

At the hole, worked my legs out first but then
got stuck halfway and yelled.  Mama had gone
back inside.  She had work to do no time
for my triflin’. That was a lesson too.
Sharp brick drew a long red scratch up my back
but wiggled out one fist tight on a paw
to finally drag him into the light

Huck was heavy and stiff like all dead things
and dirt had kicked up in his startled eyes.
I said “I’m sorry” and tried to wipe them
my thumb on an eyeball hard as a marble.
Oh man how I hated that scary hole.

Mama came out laid a rag on his back
and spread it to almost cover his legs.
Said, “Huckleberry was a good old pup.”
Said, “Prob’ly old man Hollis and all his
durn chickens,” whatever she meant by that.

When Daddy got home my dog disappeared.
He mortared up the crawl space too but missed
the new one as fathers do opened up
in me where Huck and I to this day lie
flat in the dark far in and away right
up against the hard fact and singing
as best we can.



He started out as James. Was called so from birth. It was us turned him into Jambo once he started working the livestock on our crew. He was bout sixteen. Funny kid. Smart— always askin why we do this way, or why’nt we do it that.

His mother, who said James was too ‘intelligent’ for rodeo, was kind of a sarcastic woman. Called us a bunch of ‘wild-ass barn-apes’.

But Jambo he was, to everybody around. I guess he did get a little wilder than he would-of if he’da stayed home and read books, but he fit in real good with us. And he sure brought the sauce to the rodeo circuit.

No matter how bad things got for a rider, count on Jambo to bring a joke or a crazy look. Or just a hand-up out of the dirt. Never was much a one for drawn-out argumentations when he was pushed, had fast hands and a wicked left-hook. But always brought plenty of sunshine around….and Lord have mercy, the gals. Always seemed to have the prettiest one…or two.

Handsome, funny, he grew up quick. Started winning buckles and prize money…seemed like he was fearless. He drew the roughest beasts and held-on real good. He seemed wilder than they was. Jambo moved up the professional ratings at a real good pace.

Til that day the big hoppin Charolais bull hooked him through the hip and tossed him into a corner of the feedlot.

The horn went in the side of his right butt-cheek and tore up his lower pipes and organs. The surgeons sewed all that back up….it was the ruination to his pelvis bone that did him the permanent change. Least that’s what he claimed. He always walked funny after that.

And he took a more measured view of life. He was bout thirty, but he become like one of those old Greek philosophers, in the marketplace. Would give out advice like it was some cosmic truth.

He couldn’t ride or bulldog no more, so he organized a rodeo events company and hired all us ‘veteran’ hands to work for him. Started to get grey-haired, opinionated and more given to conversation. Never did lose his tendency for fun, though.

He’d bring some new hire in front of all of us and say, “Now Red,” or whatever the new guy’s name was, “Now Red, I’m countin on you to do a good job out there, just don’t get above your raisin’s.” Man, how we’d laugh at that man’s face…Or Jambo’d get mad cause one of us had mucked something up and he’d turn to who-all was standing around and say, “Next time I’m tempted to send a dumb SOB, I’ll go myself!”

You just wanted to hear his philosophy on things. We probly coulda learnt more from him but he acted like it hurt him to sit still. Anyway, he kept us too busy to loaf around talking.

It’d been two years since his last operation. We never dared to ask him why he keeps going up to Austin to see Dr. Jackson. That was the surgeon who repaired him after the bull tore him up.

Suspected some of his tubes didn’t get fixed good as new like he claimed. He sure didn’t go sniffin around the ladies like he once did do.

It was when we hauled up north to put-on one of those little county-fair rodeo’s that we got our surprise. We’re looking out for where-all Jambo got away to and somebody calls he’s out in the parking lot talking to some beautiful gal just stepped out of a BMW.

Jambo brings her around behind the chutes and introduces her with that crazy smile he used to always have around the girls.

“Want y’all to meet Sonya, promised to show her all the sights and ‘smells’ of the Rodeo. Give her plenty respect, now….she’s gonna be my bride.”

Then he locks onto her with a big old kiss. And she was into it!

We were shocked. He hadn’t said one thing about a woman since that bull gored him. We just figured he was maybe more damaged down there than he’s letting on. Here he is ‘scorting the prettiest green-eyed black woman we ever seen.

Wasn’t more than bout an hour later one of the cowboys went off his bronc sideways, spinnin like a rag-doll and went all blinky when he hit the fence. I was riding pick-up in the roughstock competition so I got to him first. I was yelling, “911!…Get the EMT’s in here,” when

I seen Jambo’s gal climb over the fence and come pelting across the arena. You could hear the klaxons blowing, ambulance tryin to nudge through the crowd.

She just slid-in there next to me in the dirt and I says, “Give him some room Miz Sonya, he’s knocked out.” Then she says, “Well I guess I can see that,” she says, “you give him some room…go tell those EMT’s to bring their spine-board and a collar….and an airway…STAT!”

She started-in pumping on his chest while I was trying to get my creaky knees unbent so’s I could get up. I was taking too long. Anyway, Jambo come limping in by then, she yells at him, “James Neeley, you get that crash-wagon in here right now! This is your damn show.”

I heard him say, “Yes Ma’am, Doctor Jackson.”

“Cowboys!” She says, lookin up at me with those big eyes-flashing fire, “Why would a sane person want to climb up on a wild animal is what I want to know.”



“if we find ourselves
on a dead island
still flying around the sun
yet no longer moving,

it’s that men
and women both
the judge

and executioner

all wrapped up in
one package held together—

a bottle full of flames
with a loose cork
and some wire.

and our beautiful blue marble
will fade away
in slow motion.


AUGUST, 2019



Summer slips
Like shorts off of hips
that forgot to feed themselves during the cold months
The shadows, that once cloaked the horizon’s secret inlets, stripped away
No more hiding in darkness
Lightning bugs tousle my nephew’s hair
Every street corner buzzes with the white hot energy
of onlookers and showstoppers 

I smile smugly—
a deceptively fruity concoction makes my head airy with bold assessments and boyish humor
I trade war tales with a socialite,
and become her very willing captive
Parading about the city in fine linens
I forget my transient existence in the bright lights of novelty 

And then
in the midst of a lunar love tryst
in the thickness of southern evening
I hear the familiar sound of silence
I stop to listen to the quiet
remove my shoes and plant myself in earth
I cannot ignore the subtle message of the breeze
that sweeps coolly overhead, and then intensifies,
nearly toppling me and all of my collected trinkets 

The long moment finally passes
the air calms,
the sounds re-emerge 

But I have already moved away from the crowd
taking swift, deliberate steps
my eyes retrained to the east—homebound



The Richmond actor must drink and laugh through his sorrow.
Though his laugh be hollow and the drink be deep
Starts in fits and struts
He bows to hungover applause
Returning to his keep for a nightcap of beer, whiskey and tears



I’ll glitter gold for you.
I’ll shine like a firefly,
even after twilight alights
and dusk puts you to bed.

I’ll hide my gray days
behind sugar clouds in lemonade.
I’ll dye my hair to look like lilacs.
Your favorite of the blooms we picked.
I’ll wear the cornflower frock
you ate up with dripping butter
the first time you saw me.

I’ll grow you a garden, water it daily.
I’ll pluck burning sunrise tomato fruit
and placid morning glories
who peek dainty from their dewy petticoats
while wasps whisper underneath.

Burgundy in an autumn cotton field,
the stain of my lips and cheeks,
and whatever else you reap of me
when you play upon my flesh.


thinking thought:
unbroken movement;


JULY, 2019



On the northeast ear of Virginia Beach,
two lighthouses pierce the fog of dawn:

one black and white striped, the other brown brick
with a green copper top. When did the taxpayers

bestow barbed wire on themselves?
At eight a.m. sharp the Star Spangled Banner

gets mangled by crashing waves and running break.
The sands end at the red house on the rocks:

granite jetty Cape Henry holding
like a fist, blooming at every ebb tide, singing

like an honest siren.  When the ocean
routs your fence and drags that barbed wire

out to sea, I will walk past and share
a laugh with the lighthouses again.



The boy with moon skin spoke of stars &
a black sun, of trees holding themselves
up by the root, of apple picking & how
his father turned to air just before he was
born  & of how his mother tried to claw
him out of her own womb because of it.
He spoke of blue rivers turned red ocean.
I spoke of blue rivers turned red ocean. We
spoke of hands & the ones that touched
us. We used our hands to try & forget the
ones that touched us.



“Whenever I look at the ocean, I always want to talk to people, but when I’m talking to people, I always want to look at the ocean.”— Haruki Murakami

The moon lies upon the ocean—
a sleeping dragon curled about itself,
one eye half open observing the world below.
Snow falls like meteors— a shower of cold fire
doused in the black water heaving itself
Upon the shore. This moon is red as blood—
The dragon’s eye carnelian in its glow.
Bits of phosphorus twinkle on the sand.
A crab washes ashore and walks a few paces
before being swept back into the blackness again.
Farther from the shore early breaking waves
show white in the blackness and ladders
from the moonshine track back to the moon
undulating gently upon the water. The
moon on the ocean is a mysterious thing.



Sometimes I pray for wrinkles
Agnostic balance, selfish, self-preservation
I am older than you think and older still than the times this flesh prison I woke up in has circled the sun
We are all made of stardust
Why do you insist on pretending that you are stronger for burying yours
It’ll still seep out of you, betray your wrinkles and thicken the tongue you keep biting back
When you find yourself,
Six feet beneath
Or ash, whatever’s becomes of the flesh you assign to identify
A gem, a vinal record, your body of art could decorate the walls of posterity if you’d just remember how close the universe actually is
365, why
And more importantly how do you decide that the atoms of matter that make up *matter, that make *me*, default, matter,
Like my funds are
Any lived experience you were too tall to witness
Your behavior
Your excuses
Justify this humanity, I mean
In this economy?
Ancestral laugh tracks that are too stubborn to be taken seriously
Mountains that deny their fractured plates
Origin story but make it nostalgia
Origin story but makes the guides liars and
Leave out the parts where you call yourself weak and ashamed instead of reactivate and severed in all the places it matters,
Like you matter
Origin story but lie about the plot.
Drop the twist and turn instead, hard right, veer, no yields signs within a mile of this generation
Just the big bold letters spelling
monogrammed in ink, in SAT legible cursive
And tied tight with a symmetrical ribbon
And tired tye dyed catapults
Is the target on my back or on my face?
My credit score or my student loan payment plan?
Utilities is a fancy word for necessities.
Pale like a snowflake
And you think me weak for the part of my ego that cares more for me than you
Dear, little lady.
Begging me to play something like pretend respect at your lungs, older than mine
Breathing the whole, wholesome time
Like you had a right to, and now a new right to assume
But absence and audacious,
Fragile, fake stained glass
Truth, I’ve found is less bitter when it’s a chaser for childhood
Baby, break your own heart
Isn’t that how the light gets in?


JUNE, 2019



Take up a hobby they all suggest,
something to fill his mind, shift
its focus from never-ending wars
and all they’ve taken. Stamps, coins,
baseball cards—none do the trick.
All that gathering and preserving
in museums never open to visitors.

But out in the junkyard, amidst
pestering flies and pecking gulls,
he swims within that blessed swirl
of white noise, rooting mounds
and rescuing broken discards
that a bit of care might mend.

Each piece replanted on his lawn,
up to the boundary of his
frowning neighbor’s yard,
range of rising peaks
something a mountaineer
might gaze upon with lust.

Sell your junk they all implore,
but how to choose what has value,
what does not? Black pit
of that question yawns
with hunger so strong
it could devour the hand
that feeds it, swallowing
every little thing he thought
he could somehow save.



Once upon a staff call dreary
While I pondered, weak and weary
Upon many issues rediscussed
Which had been resolved of yore

While I sat there, nearly napping
Suddenly there came some clapping
Like the sound of sea waves lapping
Or echo of the Ocean’s roar

“Tis the ending of this meeting,
That for which I’ve so longed for!”
But twas just the third of thirty briefers
Sitting down, and nothing more

Onward, ever on we labored
Like swimmers towards some distant shore
Every time we thought we’d progressed
The tide would take us out, once more

Like the Red Queen, ever sprinting,
No matter how quickly on we bore
At the end of all our struggle
No more finished, than before

Can this tedium be unending?
Must this time be such a bore?
Is my sentence so unbending,
That I am not allowed to snore?

Like the air to one a-drowning
When the end at last was sure
I grabbed my coat, and quickly gowning
Rushing headlong out the door

But my freedom so sweet tasting
Is but the fleeting joy Du Jour
For the bitter truth ‘oerhangs me
I’ll be back next week, for more



What should I tell you about first? The worst things or the best things?

Maybe the worst thing about riding the bus is having to pass through the security checkpoints. They are just like what you see in the airport, only slightly smaller. You wouldn’t think that a metal detector and X-ray gate would fit into a bus, but they do. The bus itself is much larger on the inside than it is on the outside, which is a good thing because the streets here are narrow and the passengers here are not.

Really, the worst thing about the on-board security checkpoint is what happens when a busload of sweaty grown-ups take turns removing their shoes in an enclosed space. But you get used to that and it’s only for a couple months of the summer that it gets really bad. So that isn’t the worst thing about the bus.

You can go barefoot if you want to, but the last time I did, I stepped in gum. So consider yourself warned about going barefoot on the bus.

Most of the things about the bus aren’t the best things or the worst things. They are just bus things. Things like the grey plastic handles hanging from the long silver bars running the length of the bus. The handles are there for standing people to hold on to but I never use them.

If I have to stand on the bus, I pretend that I’m standing on a skateboard and keep my balance by shifting my weight slightly back and forth as the bus moves. Sometimes I will pretend like I am getting ready to fall but I never really fall. One time I ran into an old lady and she fell down but I didn’t. So when I say I never fell down on the bus I’m not being a liar.

Once when I was younger, I put the head of my favorite doll through the noose formed by one of those handles and let it dangle. I told my cousin that my doll had killed itself on account of how ugly my cousin was. I thought it was funny but I wound up riding a different bus for a couple of years after that and I didn’t think that that was funny at all because I really didn’t like the places where that bus went.

By the time I started riding this bus again I was too old to play with dolls.

Maybe the worst thing about the bus is the passengers. Well, not all of them, really. Just one in particular. I call him Pinky because he always wears a pink shirt and his fat face is always pink and plus I don’t know his real name. One time he asked me if I had a boyfriend and then he tried to tell me his name a bunch of times and now whenever he talks to me all I can hear is the sound of me screaming. Only I’m not really screaming out loud where other people can hear, I’m just screaming into my own ears. Like yelling in reverse.

I try not to talk to Pinky but sometimes when the bus is crowded I wind up sitting next to him and then sometimes he talks and I start having trouble hearing anything except the sound of my ears screaming. I bet I’d hate his voice if I could hear it, I bet he talks to me the same way he talks to pets and babies, all soft and stupid-like.

I know that I could get Pinky in trouble if I lied and told the driver that Pinky touched me, but that would mean getting back on the other bus, the one where an endless parade of grown-ups asks you to repeat the same horrible things over and over again and asks you if you are sure about what you just said until the only thing that you are really sure about is that you will say anything at all if it will get them to stop asking you if you are sure about what you are saying. I really don’t want to go back on that bus.

Really, if Pinky knew about the other bus he’d be afraid of me. He wouldn’t talk to me like he talks to pets and babies if he knew about the bus I used to ride. But I haven’t told him about it. Or anyone else.

There used to be an old lady passenger that I called the Book Lady because she always had a book with her. The Book Lady was nice to me and I liked her. She didn’t act surprised the way most grown-ups do when I told her how many books I’ve read and she didn’t keep asking me if I’m sure about it when I told her how old I was. I especially liked the Book Lady because she never made me repeat what I said the way a lot of other grown-ups did. The Book Lady is the best thing about riding the bus except for that she doesn’t ride it anymore so maybe she isn’t the best thing anymore. I miss her a lot.

Another best thing about the bus is the music. Sometimes when there aren’t many people on the bus, someone will be wearing headphones and I can hear the song they are listening to. If I try real hard I can even hear the words of the song and try to sing along inside my head where no one can hear. But when it is crowded and lots of people are wearing headphones, all of the different songs get all mixed up with each other and with all of the other noises going in and out of people’s heads until it all gets into a giant roar that is sort of like the screaming that Pinky gives me, but not as bad somehow.

My cousin thinks the worst thing about riding the bus are the bars on the outside of the windows. He says there’s no reason we need to be in a cage and that being in a cage is the worst thing that can happen to a free man. Whenever he says that, I remind him that he isn’t old enough to be a man and that we’d be free as soon as the bus arrives. Arrives where? he will ask. Whenever he asks me this, I tell him I don’t know. Because I don’t know.

That’s the worst thing about riding the bus.




I’d be but a pale imitation
of those seraphs on high
with the wings in their backs
and the fruits in their eyes.

And I couldn’t lamp your path
in the valley of death
or save your soul from Sheol
when you’ve heaved your last breath—”

I cut her off there.
enough of that.
bozhe moi. keep up the meter rhyme

and they’ll sign you as a contributor
to the next edition of Cherub’s First Hymnal.
not the sort of thing I’m seeking
in a spiritual vanguard, dig?

but hers was a valid question,
one I felt the urge to answer
holistically. so I drove her to church
in my cherry hyundai, me almost

remembering to remind her
to buckle her seatbelt. and we
haunted the pews
until we found a good seat, where I

could rather comfortably
put up my feet and spin
my yarn about why I
told Gabriel’s little

goon to buzz off. well,
that’s not really what
I said. but antebellum women
aren’t remembered well

for their toleration of slurs. or much else.
still I told her of the heresies,
drenched in dread, that inched
through the (y)ears

as though tentative tendrils
into my head, and coiled
here, knowledge of good and evil.
and I said I couldn’t abide by

deities who allow
the dropping of bombs on gilead
and let us split adams open for
far more bellicose reasons

than rib-harvesting.
And I told her of all the perks
that there’d be, were my
soul entrusted to an ex-

person, who like me,
had fallen from heaven.
backslidden. And she
slapped me in the face.

stung like that itch you get
when your foot’s asleep,
which my left one was.
consequently. she began to float

away. “You’re but a fool and a braggart
if you expect me to be
an accomplice to your spiritual

and she left me there, boundless.
and not for the last time in
church, I was lost and found
myself in song again:

“This doubt is gonna be
the death of me.
Lord, Lord.
Doubt is gonna be the death of me.”


MAY, 2019



You left your soap in my shower.
You know how forgetful I am
I blitz through the supermarket
Every other week.
I use your soap.
I miss you in its scent
I slowly empty the bottle
Every day.
Maybe I’ll buy more?
No. There’s no poetry in such mundane gestures.



If you asked me how I’m doing today, I’d say
I’m somewhere between soft serve and scoop
That sweet spot between
Damn my makeup looks good and
Hiking my leggings up over my stretch marks.
Rocking that reuniting with old friends vibe
Cracking jokes about the hot mess moments
But still taking my Prozac with wine.
Better than before but not quite there.
I put in new contact lenses and I see so clearly
I’m disoriented
More comfortable in the blur.
I take breaks and close my eyes
Everything then nothing then everything again
Eyes open
Let’s try this again
If you asked me how I’m doing
I wouldn’t know the answer
But I’d put up a fight to find one
And I’ll laugh a little
With my wine tooth smile.



She blooms like orchids in the dark, her laugh
just this side of manic as she leads those boys
to their doom. Tangled hair like the underside
of a crow’s wing, gasoline flicker in eyes like moss.
She can get away with anything.

She tells them stories about growing up in the woods,
circles back around to the haints when she has them reeled in.
Southern boys always have something to prove so
they walk as one into the trees with their arms back,
afraid to let on how afraid they are.

After, she leads them to the water’s edge and does
a little dance for them under the moon. They stand rooted,
gutted, waiting for what comes next, but her offering is to the lake.
Green water painting her marble form like Degas would,
her silhouette like a slash of paint in the black Kentucky night.